It's been a while since I've really written anything about a band, but when local post-dark-dream-pop kids A Shoreline Dream sent me their newest triple EP release, felt compelled to talk about it.
Three, 3, and III, released this last September, has A Shoreline Dream moving slightly in a new direction. They've kept the crisp, emphatic drum production, ethereal vocals, spaced out guitar tones, and dialed-down-post-punk bass lines, but they're approach to the sound is a little different.
Their previous full lengths, Avoiding the Consequences and Recollections of Memory (I haven't had a chance to check out last year's Losing The All to This Time), at times leaned more toward harsher, more complex compositions, juxtaposed with very nearly ambient landscapes.
All three EP's here marry these two worlds, and cut out any remaining superflous complexity seen on the last LP's, which at times had a muddling and disengaging effect. These three EP's are as focused as I've ever heard the band, who continue to meld their influences (I'm hearing a mix of shoegaze, 90's alt rock, ambient, dream pop, early 00's post-rock) into a solid foundation, allowing them steady ground from which to launch their own creative devices.
Check out 103 from the Three EP. I thought there was a little bit of Brian in there. Anything that reminds me of Brian is good in my book.
I wish I were able to post my favorite track, "Sixth" from III, but it hasn't been made available yet. Maybe it'll show up on a bandcamp page though. Here's hoping!
In their own words:
BIOGRAPHYMelodipsych night dreamers A Shoreline Dream spent the first part of 2012 locked away in their Barnum studio creating a series of EPs inspired by their mountainscape surroundings and the never-ending changes going on around them.
Created as a concept album of sorts, these three EPs, released digitally over the course of three months, and each containing three songs, have come together as a full album once stitched together. Each disc plays a role to what was going on during these secluded sessions, which is ever present while listening to them with ears open and eyes shut.
With mountains of tone, and dream drenched roads paving the way through the songs themselves, the 333 series is a unique gazed-out listening experience, similar in vein to the vibe contained on their 2007 EP, Coastal. The first EP, Three, brings to mind open landscapes, dune inspired within epic environments. The second, 3, sets its tone to the night, and to Barnum itself, with it's vibe being set by the studio and the circus neighborhood it was recorded in. The third and final EP, III, was written with driving in mind, as each song is dedicated to the roads the band uses to test their tracks, with the final epic song "103" actually being written as a soundtrack to the drive up the highest paved road in North America, to the very top of Mt. Evans.
This unique collection of songs is soon to be available through toneVendor exclusively, in a quantity of 100only and then they will be gone for good. What you'll get is a set of 3 custom digipak CDs, in a O-card wrapped box, and each copy will be hand numbered and signed by the band.