March 9, 2013

Ivan & Alyosha, Live review (with Arc Life, Dana Falconberry)

 (photo: Live Letters)

Last Wednesday, I was invited to see Ivan & Alyosha, a self described "indie-rock, folk-pop, indie-pop" quintet from Seattle, Washington.  Being that the majority of the new music I come across sits a little further from center than a band like Ivan & Alyosha, I hadn't heard of them until I received the invitation.

They had a laundry list of accolades from a variety of reliable sources, and I liked the song in their newest video, so I decided to take my best friend out for the night and hit up the Hi-Dive, a venue which rarely disappoints.

Terminally early, I found myself at the Hi-Dive roughly an hour before the music started. As the crowd formed around me, the people-watching portion of the evening began.  It great to see so many people so excited, unironically, for a show, that there were "whoops" and "yahoos" well prior to the first band even taking the stage. Denver is an excitable town, true, but it was ready for a show.

March 6, 2013

Ivan & Alyosha @ the Hi-Dive, tonight.



While the blog continues to have these small updates during this sort of reconstruction I've got in the works (You just wait and see! All these minor formatting issues will soon be a thing of the past!), I hadn't really planned on doing live show reviews. But then the opportunity to see Ivan and Alyosha came across my table, and after hearing the song from the video above, I decided to get myself out there this evening and see if they're as adorable as they look in the video. It's at the Hi-Dive at 9PM this evening, 3/6/2013. See you there maybe?

March 5, 2013

Retroview: Tuff Fest I: Movie 1: La Horde

A Retroview Review. 
-------------------------------------------------------------------------------- 
Luke here, back with a new limited series where I talk about like 60 movies over the next 60 days. Click here for an explanation. Read on for the quick and dirty review!

La Horde French indie zombie flick that explores the concept of a zombie apocalypse in a new way. Well, okay honestly it’s still a survival horror movie, but the characters themselves are what really sell movies whose premises are as well taxed as “zombie survival horror.” The characters’ interactions with not only one another, but the zombies themselves, for the first time showed that there can be a collection of cool and calculating people in the middle of an “end of the world situation” … and that even these people will react in unexpected and sometimes terrifying ways when put under pressure. There is a stronger sense of hopelessness in La Horde than American zombie movies, which is most certainly linked to their filmmaker’s cultural differences, which was what made La Horde most appealing. Not the strongest movie ever, but I was pleased to see at least one current zombie movie that felt a little more realistic.

-Luke Hunter James-Erickson
To see all the movies written about so far, click here: Tuff Fest I
Again, for an explanation, click here: Introduction to Tuff Fest I
To suggest movies I should schedule for Get Tuff Fest II, e-mail me: TheeLuke@gmail.com


Btw, props to Beth for the suggestion.

Retroview: Tuff Fest I: Introduction

A Retroview Review. 
-------------------------------------------------------------------------------- 
Luke here, back with a new limited series where I talk about like 60 movies over the next 60 days. Read on to see what I mean.


Last month I took a week off work and watched movies from one weekend to the next. It was half in celebration of by birthday (a month late), and half me clearing out my “List of Shame” (my list of movies I’m ashamed I have yet to see), with a dash of "well I just want to watch a week's worth of movies for the heck of it." To not take any much deserved attention away from the 34th Starz Denver Film Festival (see the last like 40 posts for reference, nice work Justin and Ben!), I decided to put off writing about it until after the madness of the SDFF34 had come to a close. Also, it takes a long time to write about this many movies.

This will be an ongoing, quick and dirty daily offering that will continue for roughly the next 60 days. I'll put up the first write up later this week, probably after the last SDFF34 post goes up. I hope you enjoy the series!

To see all the movies written about so far, click here: Tuff Fest I

March 4, 2013

SLM Mixtape #47: Psalm 137:9






Denomination Blues Part 1 - Washington Phillips
Mcabee's Railroad Piece - Palmer Mcabee
Tired Of Being Mistreated (Pt.2) - Clifford Gibson
At The River - Tennessee Mountaineers
My Jelly Blues - Bertha Ross
No News or What Killed The Dog - Frank Crumit
John Gilman Want Tobacco (Carnival) - Victoria Phillip & Dixon Phillip
Lift Him Up That's All - Washington Phillips

February 26, 2013

Retroview: Bring a Book: Cool World (1992)

A Retroview Review. 
-------------------------------------------------------------------------------- 
Luke Here. Spending time talking about movies I don't like feels cheap, mean, and makes me wonder if I'm making up for something... But if there's something deeper to examine, then I will. I'll keep the negativity to a minimum, but if you plan on watching Cool World, I suggest you Bring a Book.


Have you seen Cool World? I have. I loved when I first saw it. I was also 8. That seems to be how old everyone else involved with it must have been. I'm going to be frank here: I can't believe how wholly unenjoyable this movie is. From the awful pacing, to the embarrassingly shabby sets (though, admittedly, if they were in a more interesting movie, they could totally work), to the terrible acting, there is hardly an engaging moment in the entire 100 minute trudge. I'm going to keep this short and sweet because I shouldn't waste time on a movie this bad, but this movie is a symptom of a greater disease, and that's what I really want to talk about. Here we go!


February 25, 2013

SLM Mixtape #46: Behaving



Native Americans - Les Seldoms
Moonstruck - The Megaphonic Thrift
Texas Overture - Pere Ubu
Peach Cobbler - Marmoset
New Drug Queens - Pink Mountaintops
Charlie - Spider
I Wanna Be Tall - Estrogen Highs
New Building - Looking for Jenny

February 19, 2013

Retroview: Sir Arne's Treasure (1919)

A Retroview Review. 
--------------------------------------------------------------------------------
-Luke here, talking about a movie heralded a shining example of the Golden Age of Swedish Cinema.

 


Written/adapted and directed by one of Sweden's most prolific filmmakers, Mauritz Stiller's Sir Arne's Treasure (Herr Arnes pengar) is a beautiful, surprising silent movie, rife with wonderful textures, colors, and a plot the likes of which cinema is all too unfamiliar. There is a striking quality to SAT that I found enticing and engaging, while concurrently finding it to be strange and unsettling. It's a hard movie to watch at times, maybe because of the various foreign qualities (it being a silent Swedish movie), but maybe because it's a love story, heck, a story at all, to which I can honestly draw few comparisons. With this movie coming out in 1919, adapted from a novel released in 1903, I find the fact that it feels so fresh and new to be the most striking thing about it.  Here we go!

February 18, 2013

SLM Mixtape #45: makin' it look easy



F U C-3PO - Zammuto
In The Dark - ROLLERSKATERS
Baltic Sea - HUMAN TETRIS
Sweet Sipping Soda - Reptar
Days Untrue - S.C.U.M.
The Break Up - Les Loups
This Head I Hold - Electric Guest
Make Up Your Mind - Here We Go Magic

February 12, 2013

Retroview: Harry Potter & The Deathly Hallows, Pt. 2

A Retroview Review. 
--------------------------------------------------------------------------------
(He's Harry, he's Harry, he's Harry bloody Potter.)
Luke here, with a quick and dirty reflection on WB's nightcap of a movie.


HP7II is a difficult movie to talk about, because it's not really a complete vision. It marks the completion of a full work, be it the entire series, or just HP7, but HP7II is, in itself, not a whole movie. I'm going to say right here and now that I loved watching it, and am incredibly pleased to see it opening night with all the squealing fully grown adults, but that I felt cheated. This review will not be a recap of the other movies, or a discussion on the end of an era, or the end of a series. There will be a time and place for that, and I don't believe that this is that time. For now we have this final offering, this desert of a movie to consume, digest, and reflect upon. No spoilers here, but I have a feeling you already know how it ends, either because you read the book, or you've already seen the movie (judging by the box office numbers, you've probably already seen it). Here we go!

SLM Mixtape #44: The 8 Hour Road Trip

I made this mix for my best friend.  Here it is!

February 5, 2013

Retroview: Rubber (2010)

A Retroview Review. 
--------------------------------------------------------------------------------
Hold on to your butts. It's Rubber.



Rubber is a movie about a tire coming to life and going on a killing spree. Beyond that I have a hard time telling what is a spoiler and what isn't, because the movie is so much more than just that. It's the second feature film by Quentin Dupieux, better known as musician Mr. Oizo, and I have to say I was thoroughly impressed. The acting was spot on, each cast member expertly flirting the line between being caricatures with the expected amount of over acting, and delivering believable, relatable characters. The way the light seeps through the lens of the camera and onto the film, you can almost feel the desert heat, the dry air, the course sand. The atmospheric soundtrack is playful at times, knowingly cliche during others, and perfectly drops out when it needs to, letting the images talk for themselves. It's a fun, funny, ridiculous movie, all on a foundation of one of my favorite things: The Absurd. You're going to love it. Go watch it and come back. Now. ... Okay, now that you're back, let's talk about why this movie is so awesome. Minor-minor-minor spoilers follow, but they only spoil a little bit of the first 10 minutes. Here we go.


February 4, 2013

SLM Mixtape #43: this isn't a conversation



Take Me Back - Lightning Dust
Alien - Sea Of Bees
I Can Feel It Fade Like An AM Single - Spoon
Slowdive - Pasteboard
Simon - Labrador
Brimstone & Vaseline - Parenthetical Girls
You Are An Engineer Too - Liger
The Lonesome King - SuperMayer

January 29, 2013

Retroview: Trancers (1985)

A Retroview Review. 
-------------------------------------------------------------------------------- 
Luke here, traveling back to the year 1985 via his futuristic past-viewer (read: netflix), to discover that things in the past may not be what they appear to be...
Before seeing Trancers, I was only peripherally aware of Charles Band and Empire Pictures or Full Moon Productions/Entertainment/Studios/Features/Pictures, having unwittingly seen, or at least seen around, the most famous of the movies both (all?) of these companies have unceremoniously pumped out. Super quick history: Sitting somewhere slightly above Troma-quality, since 1973, big hits associated with Band have been Puppetmaster, Re-Animator, The Dungeonmaster, Troll, and TerrorVision. I'm certainly leaving off someone's favorite Brad-Brand movie, but after a quick perusal of his list, that's about it. Well, those and today's feature: Trancers. These movies are lovingly crafted B-horror and B-Sci-fi, destined to be introduced by our man Vincent Price on a midnight movie program. Trancers is no different. Not the most serendipitous movie ever made, but darn close.

January 28, 2013

SLM Mixtape #42: we rob banks



Where There's A Will - The Great Lost Blind Boys Album
I'm Drunk And Real High - Ada Richards
Blue Yodel No. 1 (T For Texas) - Jimmie Rodgers
The Cat's Whiskers - Patt Patterson & His Champion Pep Riders
What's That Tastes Like Gravy? (King David's Jug Band) - Stovepipe No.1 & David Crockett
(When I'm Gone) Don't Talk About Me (Unissued) - The Delmore Brothers
Exploiting - The Caresser
Only Foreigners - The Growler

January 22, 2013

Retroview: Last Year at Marienbad (1961)

A Retroview Review. 
-------------------------------------------------------------------------------

Luke here with a kind of by-the-books review of a French New Wave movie that is, apparently, confusing for a large portion of the critics out there.

French New Wave movies are, at times, unforgiving. If you're not into it, then they're not really there to hold your hand and guide you through. Despite the criticism and praise, FNW still isn't going to be for everyone, and that is totally okay. Sometimes ambling, repetitive movies that lack conventional structure and a naturally flowing narrative are annoying. If you're not a fan, Last Year at Marienbad isn't going to change your mind. I would say it is a good movie, and I was tickled by it, but there was a reason I didn't invite more than a few people over to watch it. I can only recommend it if you're interested in FNW, or if you want to dive head first. There are spoilers in this, but I'll mark them out. Here we go!

January 21, 2013

SLM Mixtape #41: okay. okay I'm ready


Blue Mountains - Diamond Rugs
Art of Almost - Wilco
Shameless - Man Man
Primitive Girl - M. Ward
You & Me - Sara Watkins
She Was Out in the Water - One Little Plane
Orifice Origami - Reptar
I Wish I Was Someone Better - Blood Red Shoes

January 15, 2013

Retroview: Gigantic (2008), Cold Souls (2009), and Bored to Death (2009-present)

A Retroview Review. ------------------------------------------------------------------------------------------------------------
Luke here, with a post late for Wednesday, the reason for which explained after the review.



This review is actually double late, the second reason being that I watched Poltergeist for the first time in years last night. This evening I watched Gigantic, Cold Souls, and I finished season 1of Bored to Death, all fine pieces, but under the shadow of Poltergeist, few movies could withstand the pressure. Because I have little that I could add to the conversation concerning Poltergeist's pure and unbridled awesomeness, I'm going to do a short review of the three pieces mentioned above, none of which blew me away, or that I could highly recommend, but each of which I enjoyed at least a little. Here it is:

Gigantic:



Gigantic has an adorable cast in what felt like decidedly quirky predicaments. Zooey Deschanel plays Harriet, love interest of main character Brian (Paul Dano), and daughter of Al (John Goodman). Brian, 28, single, works at a mattress store, and aspires to adopt a Chinese child. Harriet does part time work in a TV studio, but mostly just avoids doing anything with her life. They meet, fall for each other, the idea of things working out freaks them out, and things fall apart. Also Zach Galifianakis has a cameo as a bum who beats up Brian every once in a while.

The characters themselves are a little trite, each time they reveal a quirky characteristic it seems like they're just grabbing another sand bag to their back, needlessly weighing them down. The best being each of the main character's fathers (Brian's unnamed father being played by Edward Asner). Paul and Zooey honestly felt a little bored with the characters, but when they are around their respective parents, the chemistry there is simply heartwarming. Al is boisterous and outspoken, but not outright rude. Brian's father is absentminded, though aware of the need for a close family. By the end of the movie, I was not as invested in the relationship between Brian and Harriet as I was with their relationships with their parents. Funny parts here and there, but mostly just a rehash of tropes that have kind of become all too prevalent.


Cold Souls:


A lot of movies have the main moral that "being yourself and loving yourself for who you are" is always the best policy. Few movies have approached this topic in such an abstract way that Cold Souls has. Eternal Sunshine on the Spotless Mind would be a fair comparison, though Cold Souls is more dialogue driven, and with less visual metaphor. If done well enough, I don't notice, or, at least, I don't really mind said moral hovering over the production. While noticeable, I did not find the handling of the moral to be ham-fisted, though I wasn't entirely tricked into not noticing it.

Paul Giamatti, played by Paul Giamatti, has his soul extracted in search of an easier way to get through the day. He hears about Soul Extraction. I think the only unspoiler thing I can say is that he opts for the procedure, the effects of which make up the entire drama of the movie. It is a clever, bizarre concept which I instantly found attractive. The movie twists and turns about every 15 minutes, taking the story to a place previously unimaginable each time, though, thankfully, in seemingly negligible increments. For me, the climax comes about halfway through the movie, where certain events converge in a serendipitous way that had me laughing and falling for the character. But then the rest of the movie kept coming, and the twists and turns, while interesting and smartly minor, started to feel a little tedious. It did get to the point where, like a running joke, it came back around to being funny that the movie kept upping the ante, just a little bit. Cold Souls won't make any new Giamatti fans, but I think it stays true to what old fans may expect.


Bored to Death:

I was initially interested in Bored to Death for the same reasons I imagine anyone else who watches the show is: the cast. A polarizing trio if anything, I can safely say I enjoy each of the actors in just about anything they are in. Jonathan (Jason Schwartzman) is a struggling author, Ray (Zach Galifianakis) his comic book creating best friend, and George (Ted Danson), Magazine publisher who hires Jonathan to write on occasion. Jonathan's girlfriend breaks up with him, and in a fit of loneliness, he puts an add on Craislist advertizing his skills an an amateur, unlicensed Private Detective.

As ripe as that plot sounds, and as bizarre as this cast may seem, the show kind of just plugs along. The episodes focus around Jonathan's acquiring of a case and handling his relationships with Ray and George, whom have smaller roles than I think I expected. The funny parts are frequent enough to keep me coming back, but not enjoyable enough that I think I could really, wholeheartedly, recommend it to other people.

---

So yeah, I wish I had something I felt more passionately about to talk about, but the only option there was Poltergeist, and there's really nothing I can say about that movie that hasn't been said 100 times: It's quite possibly one of the best movies ever made. Heck, here's the trailer:



---Luke Hunter James-Erickson
http://www.somelovemusic.com/
theeluke@gmail.com

oh, P.S. This review is mostly late because I've found myself in a rare position. I went to a premier of 4 short movies made by a Colorado based production company. My plan was to review them all and have the review up by yesterday. As I watched, the plan changed to review the best one. After getting home, I grappled with whether or not I should write about the movies at all. Because my voice is not an influential one on any grand scale, my criticisms would seem petty and mean, and I didn't really want to dedicate time to writing about movies I didn't enjoy, especially if that would mean sitting around, snidely coming up with "witty" ways to emphasize this. I just yesterday decided not to write the piece, which is why this one is late. I think, in the end, I'm happy I reviewed these three bigger pieces as opposed to talking about the other movies.

January 14, 2013

SLM Mixtape # 40: I Hope All The Suspects Are This Much Fun




Vikram Vikram  -  Raaja, Gansesh, Hamsalekha
Mendel [I Don't Know] - Omar Souleyman
Boe Boe - Alaev Family
Un Soir Chez Norris - Pierre Cavalli
Do Your Thing - Trinidad & Tobago Steel All Stars
Wily Kataso (Live Eclipse) - Amadou And Mariam
On The Roof of Kedar Lodge - Psycho Baba
Tähtien Rauha  - Kollaa Kestaa

January 11, 2013

The New "42" Trailer Proves, Once Again, That Basesball Should Only Exist In Movies



Seriously, did you see that?  Because that looks about a billion times more entertaining than any baseball game has ever been.  I've got a Moneyball Retroview Review in the works, and it presents a similar theory, so keep an eye out for that...